The Development of a Personal Style

-advertisement-
American Watercolor Weekly is not affiliated with American Watercolor Society

Growing up in the countryside with little means, Yong Hong Zhong recalls practicing drawing by using a stick to mark the sand. A master of watercolor technique, he didn’t get his first watercolor set until his family moved to New York City when he was 12 years old. There, he went to the highly respected La Guardia High School, then graduated from Pratt Institute. He worked for Disney for 14 years in the layout department. “My first film at Disney was Pocahontas and my last film there was The Princess and the Frog,” he says.

“Free Flow” (watercolor, 12 x 16 in.)

As a layout artist at Disney, Zhong worked primarily in black and white, and found he missed playing with color. He ventured into plein air, painting outdoors on his lunch hour. Sixty minutes may not seem like enough time to paint, but he was a professional illustrator and worked fast. In these sessions, he worked in oil and was under the sway of the classic California impressionists. He still works in oil today, but watercolor is his primary medium, mostly because he finds it much more convenient for plein air work.

His artistic temperament was also shaped significantly by what he learned early on in New York City — the traditional artform of Chinese calligraphy. “I did a lot of calligraphy growing up, and you cannot make corrections when you put a stroke down with ink on rice paper,” says Zhong. “You have to be confident, from beginning to end. If the work is not good, you destroy it. But during the process, you have to trust that it is going to be fine. Most of my brushstrokes are done in one motion. I mix the color, practice the stroke in my head, and then put it down. Spontaneity is part of the beauty of the medium, and speed comes with  confidence. Only if you can convince yourself can you convince your audience.”

“The Magic Hour” (watercolor, 7 x 10 in.)

Join Yong Hong Zhong, Stan Miller, Linda Baker, Thomas Schaller and other top artists at Watercolor Live, a virtual art conference taking place January 26-28, 2023, with a Beginner’s Day on January 25.


Previous articlePutting a Unique Spin on the Landscape
Next articleFinding Inspiration in the Mundane
Kelly Kane
PleinAir Magazine and American Watercolor Weekly Editor-in-Chief With more than 20 years experience in art publishing, Kelly Kane has served previously as Editor-in-Chief of Watercolor Artist magazine and Content Director for The Artist’s Magazine, Drawing, Acrylic Artist, and Pastel Journal. She has interviewed many of the preeminent artists of our time and written numerous articles about painting, drawing, art education and art history. She is now the Editor-in-Chief of PleinAir Magazine and the American Watercolor Weekly newsletter. Click here to send her an email.

3 COMMENTS

  1. As a recent subscriber, I want to thank you for the inspiration I gain from The Watercolor Magazine online!
    As an art student at the University of Cincinnati, I received instruction in watercolor painting. I loved it, but was never very good.
    I retired @79, after working years in the graphic arts field- on the board & computer.
    I now have a studio in my retirement home. I’m eager to improve my watercolor skill!

  2. I love Yong Hong Zhong’s work and follow him on Instagram. Thank you for this article sharing more of his story!

LEAVE A REPLY

Please enter your comment!
Please enter your name here