Kickstart Your Creativity With Color Studies

Watercolor artist Peggi Habets shows you how to work out composition kinks and make informed color decisions by making a few, quick studies of your subject.

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By Peggi Habets

color studies
Color studies of dancers

Color studies are small, quick paintings that help you plan for your larger works. They allow you to try a variety of compositions and color options without committing to any of them. Because the studies are small and can be done quickly, I often do three or four of them at a time. What I love about it is that I often end up with several different paintings of the same subject.

When you have your values and color worked out in small studies, you can approach your larger painting more confidently, with less changes. As a result, your painting looks more spontaneous and does not become overworked with adjustments.

Color Studies in Action

The color studies above could be turned into four separate paintings. Here are examples of two large paintings that came from this exercise.

figure painting
“Lumiere” (watercolor, 34 x 30 in.)
figure painting
“Flit” (watercolor, 27 x 21 in.)
6 Tips To Help You Get Started Creating Color Studies

• Keep your color studies small, 4 x 6 or 5 x 7 inches.
• Leave out the detail. Focus on simple shapes and values.
• Try a new color scheme that you’ve never used before. Remember that clothing, hair, grass, trees, even skin tones, do not have to be a realistic color.
• Think Papa bear (dominant color), Mama bear (secondary colors), and Baby bear
(discord, or accent colors).
• Mix complements for beautiful neutrals.
• Try different color wheels for new color combinations: Triadic, Munsell, Johannes Itten, Stephen Quiller.

Peggi Habets lives and works in her hometown of Pittsburgh. Her deep love for the fluidity and spontaneity of watercolor have led her to paint and teach the medium for over 15 years.

Inspired to take Peggi Habets’ color studies to the next level? Mario A. Robinson breaks down the process of painting watercolor portraits into easy-to-follow steps in Mario A. Robinson: Beginner Watercolor Portraits.

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Kelly Kane
PleinAir Magazine and American Watercolor Weekly Editor-in-Chief With more than 20 years experience in art publishing, Kelly Kane has served previously as Editor-in-Chief of Watercolor Artist magazine and Content Director for The Artist’s Magazine, Drawing, Acrylic Artist, and Pastel Journal. She has interviewed many of the preeminent artists of our time and written numerous articles about painting, drawing, art education and art history. She is now the Editor-in-Chief of PleinAir Magazine and the American Watercolor Weekly newsletter. Click here to send her an email.

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