In the October-November 2025 issue of PleinAir Magazine, I spotlight six young artists who I believe are shaping the future of plein air painting. We talked about what inspires them, the breakthroughs that have propelled their work forward, and the advice they wish they’d known earlier in their careers. Two of these rising stars work in watercolor — and in this week’s newsletters, I’ll be introducing you to both of them, starting today with Jonathan McHugh.
Kelly Kane: What draws you to painting outdoors?
Jonathan McHugh: I feel most alive and present in nature or when painting, so combining the two feels meditative and recharging.
KK: When you’re out painting, how do you decide which scene or moment to capture? Is it about color, light, story—or something else?
JM: I look for arrangements of light and shadow that move the eye dynamically. Smaller subjects, like tide pools, often interest me more than traditional, sweeping landscapes.
KK: Can you identify a specific “aha” moment that represented a creative breakthrough for your work?
JM: Everything changed when I realized I could tear up my plein air paintings and reassemble them into something new and unique. That took the pressure off “failed” watercolors, which became raw ingredients for larger collaged studio works.
KK: Have you ever had a plein‑air painting adventure—or misadventure—you still laugh or cringe about?
JM: Once, while I took a short walk away from my setup, a seagull raided my bag and dumped my wet brushes, palette, and kneaded eraser into the sand. I keep a much closer eye on my gear now.
KK: Can you name an artist—past or present—who has had the biggest influence on your approach to light, color, composition, or plein air painting in general?
JM: My dad, Joe McHugh, who painted plein air with my brothers and me from the time we were kids. I’ve always admired his watercolor style.
KK: What do you hope viewers feel when they see one of your outdoor paintings?
JM: I’d like them to feel the echo of my full sensory experience in a specific place and time — something beyond photorealistic accuracy.
KK: What advice do you wish you had received earlier in your painting career?
JM: Take bigger artistic risks! Plein air isn’t about imitating the masters — the choices that make your work unique are what matter most.
KK: If you were not an artist, what do you think you’d like to do for a living?
JM: Mechanical engineer or musician
KK: What’s next for you? Are you working on anything special or have anything planned that you’d like to share?
JM: I just finished my MFA in painting at Laguna College of Art and Design, and I am excited to start teaching at Saddleback College this fall.
Website: jonathanmchughart.com
Instagram: @mchughscapes
