Don’t Overthink It

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“Hot Afternoon” (watercolor on paper, 11 x 15 in.) by Matthew White

“Creating art is a powerful experience; it’s a profound way to process, celebrate, and appreciate the world around us,” says Matthew White. For him, painting is less about control and more about attention — a way of slowing down long enough to truly see, feel, and respond to what’s in front of him.

That sensibility is what drew him to watercolor. He’s captivated by its looseness, by the softness that emerges as colors mingle and move across the paper, and by the medium’s light-to-dark approach, which requires both patience and trust. Watercolor, White explains, doesn’t invite prolonged overworking or second-guessing. Instead, it nudges the artist forward, encouraging momentum and acceptance. Each painting becomes a conversation rather than a conquest — an invigorating surrender to the medium’s steady, persistent flow, and an invitation to begin again with fresh eyes.


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Kelly Kane
PleinAir Magazine and American Watercolor Weekly Editor-in-Chief With more than 20 years experience in art publishing, Kelly Kane has served previously as Editor-in-Chief of Watercolor Artist magazine and Content Director for The Artist’s Magazine, Drawing, Acrylic Artist, and Pastel Journal. She has interviewed many of the preeminent artists of our time and written numerous articles about painting, drawing, art education and art history. She is now the Editor-in-Chief of PleinAir Magazine and the American Watercolor Weekly newsletter. Click here to send her an email.

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