“I was inspired by the way roses turn toward the sunlight — each one opening eagerly, as if racing to embrace life itself,” says Gaoxiang Xu. “I wanted to capture that brief, radiant moment when nature pulses with energy and warmth, when the light seems to touch everything with purpose.
“Painting this piece was an exercise in balance. I worked to preserve the delicate structure of the blooms while allowing my brushstrokes to remain fresh and expressive. That tension between spontaneity and control was the greatest challenge—especially in such strong light, which can flatten or overwhelm the subject if not handled carefully.
“I painted this piece with traditional watercolor on cotton paper, using a wet-on-wet approach to soften the petals and convey their fragility. Then, I layered in dry-brush textures to introduce contrast and form. Value shifts were essential to suggest depth and the glow of sunlight. Every decision came back to the light—and how it moved across the flowers.
“My foundation in traditional Chinese painting continues to shape how I see rhythm, composition, and space. Even though I now work primarily in Western watercolor, I often blend the two traditions in my work. The discipline and sensitivity I learned early on still guide my hand.
“If I could offer one piece of advice to fellow artists, especially those considering entering their work in competitions, it’s this: Be honest in your expression. Paint the subject that resonates with you—not for the award, but for the story you want to tell. Sincerity often speaks more deeply than perfection ever could.”
“In Full Bloom” (watercolor, 10 x 11 in.) by Gaoxiang Xu won Best Plein Air Watercolor & Gouache in the April Plein Air Salon art competition. Do you have next month’s winner on your easel right now?
