Finding Simplicity in Lake Tahoe’s Overwhelming Beauty

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“Falls Edge” (2024, watercolor and gouache, 11 x 15 in.) by Andy Evansen

“Coming from southern Minnesota, where the landscape is mostly rolling hills and farmland, the vistas at Lake Tahoe were visually overwhelming,” says Andy Evansen. “I found it difficult to find “simple” compositions that would work for plein air. I always harp on my students to edit and “zoom in” when choosing subjects outdoors, but when you’re confronted with so much natural beauty and towering vistas, that can be quite a challenge. To start, I had to work out whether I should paint vertically, in order to capture the towering trees and mountainside, or horizontally to capture as much of the wide open view as possible.

“Down at the Lake” (2024, watercolor, 10 x 14 in.) by Andy Evansen

“Otherwise, I didn’t need to change my approach or palette for this trip, although the variety of colors in the lake did make things a bit tricky. In my painting Down at the Lake (above) you can see that I had to paint warm reflections of rocks and use vibrant green, turquoise, blue, and violet at different points.

Andy Evansen, painting en plein air in the Lake Tahoe area

“I enjoyed exploring the area with the goal of finding good painting subjects and not simply pretty views. We managed to find some lovely spots with enough inspiration for everyone in the group I was with.” [The group included Stephen Quiller, Ratindra Das, Jean Pederson, Barbara Nechis, John Salminen, Kathleen Conover, Mark Mehaffey, and Mary Whyte; all invited by Zhang Xiaochang to paint in north Lake Tahoe two summers in a row.]

“Out of the Woods” (2024, watercolor, 15 x 11 in.) by Andy Evansen, who says of this painting: “I tried to do a quick plein air painting of this view on both trips to Tahoe, but the only place to stand or sit was on a steep slope of rock, and my knees and back couldn’t take it for long. I made this studio painting from reference photos and sketches back at home.”

“Sharing our work at the end of the day over a cocktail (or two) was the cherry on top. It’s always a treat to paint with a group of friends, particularly a group such as this — where all the members are so accomplished and paint with a wide variety of styles and approaches.”

Don’t miss the opportunity to create your own lifetime memories in Lake Tahoe at the 12th Annual Plein Air Convention & Expo (PACE), May 19-23, 2025!


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Kelly Kane
PleinAir Magazine and American Watercolor Weekly Editor-in-Chief With more than 20 years experience in art publishing, Kelly Kane has served previously as Editor-in-Chief of Watercolor Artist magazine and Content Director for The Artist’s Magazine, Drawing, Acrylic Artist, and Pastel Journal. She has interviewed many of the preeminent artists of our time and written numerous articles about painting, drawing, art education and art history. She is now the Editor-in-Chief of PleinAir Magazine and the American Watercolor Weekly newsletter. Click here to send her an email.

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