“Lost edges add an element of mystery and looseness to a painting,” says Andy Evansen. “To achieve that effect in watercolor, I paint large shapes and work on damp paper in the early stages of a piece, covering the entire surface with pigment in a matter of minutes. Working this way, I’m forced to make decisions fairly rapidly and don’t have time to overanalyze the details. I have to stay focused on what’s important and not sweat the small stuff, which I’m sure I would be inclined to do if I was working with a slow-drying medium such as oil. I was a medical illustrator for over 20 years, and it’s not easy to transition from that extreme accuracy to painting an impression.”
![](https://americanwatercolor.net/wp-content/uploads/2021/09/Evansen_Backlit-Cloud-scaled.jpg)
![](https://americanwatercolor.net/wp-content/uploads/2021/09/Evansen_Late-Afternoon-Sun-scaled.jpg)
LOST EDGES DEFINED
Lost edges are a soft gradation between two adjacent shapes. They indicate movement and atmosphere, and allow the viewer’s eye to move easily from one area to another.
![](https://americanwatercolor.net/wp-content/uploads/2021/09/Evansen_Radio-Flyer-scaled.jpg)
For more inspiring stories like this one, sign up for our free weekly e-newsletter.